Well, I’m back. Life got pretty rough–like it always does–but at least I have more time to draw nowadays. It is summer, and I did get a job (yay!). I’ll be making sandwiches starting on Wednesday.
This piece isn’t anything new; in fact, I drew it shortly after I got the iPad in December and just didn’t post it. That’s how it’s been with most of my artwork–I’ll have you know that I’ve got a huge backlog of stuff ready to go. Maybe I should post something every day just to get it over with.
Oh, the description. Grea’s character hasn’t changed in the two years since I came up with her, but above is a more refined look than in her first design. I drew it using Apple’s Notes app, but I’ve since switched over to Adobe Sketch–so don’t expect to see much more in this colored pencil style.
Perhaps this won’t exactly reach you on the legendary Fourth of May itself (we’re all past that joke, right?), but I still wanted to pay homage to my favorite film series and probably the greatest franchise of the past 40 years. That’s why, when I was tasked with making a chalk pastel landscape in my drawing class down in Utah, my mind immediately went to Star Wars. And for my first try at something a little more artsy, I think it went pretty well! I’m considering doing more of these landscapes from the galaxy far, far away sometime soon.
I wish I could just close this post without mentioning this, and in fact it makes me uncomfortable just thinking about it… but yes, you haven’t been imagining it. Dustlander Productions has been on hiatus for much, much longer than I anticipated. The annoying thing is, I’ve got ideas for comics, and even a whole stack of new sketches and more artwork I’ve done at school, mostly ready to post. But I’ve lacked a few resources essential to maintaining the website as of recent, including time, energy, sleep, and motivation. Have I mentioned I’m just wrapping up three AP classes? Y’all know I never like to make excuses, but you’re gonna have to wait a bit longer for the next comic. I promise it’ll bring some closure to the hiatus. Thanks!
Well friends, it’s been a while. I got my hopes up when I posted Santa, believing that I could and would get back on top of things, even with a new comic. However, I’ve run into difficulties with OneNote on my iPad and I’m currently learning to adapt my style to Adobe Sketch. We’ll see how that goes.
Utah hasn’t been what I expected… and that’s a good thing! Things have definitely changed. There’s still snow down here, even with track about to start; I have some form of a social life now, even if classes aren’t much easier. That leaves less time to draw, but more time to reflect–especially on what I need and don’t need in my life. Dustlander Productions’ second birthday passed on the 17th, and I did nothing to commemorate it. So you could say I’ve decided I need drawing and comics and shenanigans back in my life again–but I don’t know when I’ll have time for them.
Today’s the two-year anniversary of the second comic “2. Homecoming”–one of my favorites. Guys, here’s the truth. I’m not always confident. If you’re confident 24/7, there’s something wrong with you. But where we lack confidence, we can have faith–hoping for something better and then doing everything in our power to make it happen. I do know that is possible. So don’t look down like Art here–there are better days ahead!
Dusty’s back, baby! Now armed with an iPad Pro and Apple Pencil, I’m more than ready to get back to work. Hope you all had a great day!
(I posted this to my Facebook a while back; I don’t know why I didn’t put it on here. Here it is.)
Want more Dustlander? Especially more digital art? Well, too bad, because I won’t be able to do any of that until after Christmas. Have an Ironwood logo instead.
With school having started a few weeks ago, I can’t tell y’all how good it feels to finally post something. That’s right–it’s the time-lapse of “11. Drawing” that’s been in development heck for the past four months! Hopefully it doesn’t jump around too fast for you (I might make an slower extended version to remedy that…).
I’ve also got an announcement to make. Time-lapses are a nice addition to the extensive amount of drawing I do, but they definitely take up a lot of my time (no pun intended). In this video, for example, I had to cut, paste, and speed up over twenty hours of footage–no joke! That’s why I’m deciding not to make any more time-lapses–at least not for the regular comics. I’d rather make higher-quality content for all of you to enjoy, like more comics and more animations, than spend time on this sort of novelty video. They’re neat, but that’s the extent of their value to me. (The soundtrack is legit too.)
Thanks all for your support in making these videos–I’m not through with YouTube just yet, but it’ll take time before I have anything new to post. Hopefully I’ll surprise you guys with some of my upcoming work, though!
Tahu wears the Kanohi Hau, the Great Mask of Shielding.
It’s ironic, because Tahu himself can be quite aggressive…
I’ll answer your question right from the get-go: yes, I did draw a BIONICLE. As a kid, I practically lived and breathed this series–read the comics, collected the toy sets, watched every movie, etc. I’d like to think that BIONICLE’s soundtrack even influenced my music taste (lots of alternative rock–I’ve got a playlist too!). It practically broke my heart when the story of the Toa and Matoran finally ended in 2010, but I’m glad I was there to witness it. BIONICLE ignited a fascination with storytelling and the visual arts in me that I haven’t outgrown since.
Of course, anyone who’s been to their local LEGO store knows that BIONICLE got a serious reboot in 2015. I’m quite happy with how it turned out–as an attempt to share the classic story with a new generation of kids–and though the reboot was cancelled just recently, I’d hate for that to be the end of the beloved series. So many people (including about half of the DeviantArt community) are still devoted to BIONICLE that I don’t think LEGO should be done with it just yet. But what can be done?
As with a few of my other pieces of fanart I’ve drawn over the past year, this whole spiel ties into one of my side projects. Someday, I hope to reintroduce the BIONICLE story to a third generation with more realistically designed characters (placing greater emphasis on their bio-mechanical composition, as I did above). The whole aesthetic would definitely be “darker and grittier”; a possible title could simply be The BIONICLE. It’s all just conceptual right now, but if you have any thoughts, feel free to leave a comment below!
Forget bow ties; trench coats are the new cool.
I like this new look, enshrouded in total darkness.
Hey! Tell me what you think about the new “red paint strokes” filter on the right. I think I’ll get more experimental with the “alternate” sketches from now on. (This time around, it was inspired by this failed cutout.)
So far, I haven’t done much to flesh out the antagonists of each of my projects: The Forging, Moon Man, The Steampunks, and Ironwood. Sure, I’ve got rough ideas for each, but this is the first time I’ve really got down to revealing one. Unfortunately for our main character Vincent Cannon, his world of Ironwood is the first to receive a clear enemy.
Introducing Big Boss–a figure surrounded by mystery and intrigue (who I named prior to hearing about the Metal Gear Solid character of the same name). He’s rarely seen by the general public, and even out in the open he makes his presence discreet with a jet-black trench coat and fedora. The sunglasses complete the look; what’s not evident in this picture is that the Boss has engineered a way for the lenses to glow an eerie red (thanks to a set of experimental LEDs).
This character, who’s also mysteriously referred to as the King of New York, has been a lot of fun to design and work with. Probably the most interesting part is how connected he is to Ironwood‘s lore; even before the main story picks up in the summer of 1989, Big Boss’ work behind the scenes has already dictated the allegiances of multiple characters and changed the course of Vincent’s journey (starting with the Night When Everyone Died in 1985–more on that later). Needless to say, the Big Boss doesn’t pull any punches and will be a worthy adversary for the hero Vincent as the events of Ironwood unfold.
A more prominent, realistic Steve is featured above.
Below is the more blocky, instantly recognizable character.
I’m not the best at drawing realistic figures; I know artists that could certainly exceed my skills in that department. But for this depiction of Minecraft‘s main playable character, Steve, I decided to give it a try. It wasn’t easy, but I did really try to adapt his cubic form to a more natural look (which, I have to say, doesn’t look half bad!). You can even compare it to the lower, more classic version of Steve–one that you might see in the endless YouTube animations out there.
All this probably makes perfect sense, except for the title: “The Spawning Years”? It does sound a little odd, but hear me out. For a while I’ve had the idea to adapt the Minecraft survival storyline into something more, something that people can really enjoy… and no, I’m not referring to the actual Minecraft: Story Mode or even the upcoming movie (which may throw a wrench into my plans). To make a long story short, I’m working on a novel focusing on Steve’s journey through the Minecraft world. Just like the above picture, it’s meant to be hyper-realistic, including every minor detail and featuring an inside look at Steve’s possibly unstable psyche. After all, he’s an amnesiac, who has suddenly “spawned” onto an island where the monsters bear his face and clothes and where he must fight for survival… alone. That makes for an interesting, very personal story.
I’m not even through the first chapter yet, but be sure to look out for more information on The Spawning Years as it comes! I might even set up a separate blog for it. Time will tell.
I meant for it to be a baseball cap.
Also, I didn’t draw the rest of his Michael Jackson-style jacket.
Hey guys! I’m here to deliver the last redesign of the summer, another quick doodle not unlike the ones for Little Man and Longlegs (Hera’s was the only one that was really finalized). At this point, you’ve probably noticed that the four redesigns feature the protagonist of the main four stories I’m writing: The Forging, Moon Man, The Steampunks, and Ironwood. Vincent’s turn has rolled around, and the changes I’ve made to him are very intentional.
For one thing, Vincent’s facial structure has been altered to make him seem older and more experienced. While the faces of Art and my previous drawing of Vincent were nearly identical, he’s now got a more prominent chin and higher cheekbones than my webcomic counterpart. Meanwhile, he’s gone through a slight change in costume as well; he sports a hat complementing his classic leather jacket (but that’s been swapped out for a different design as well). The one thing that hasn’t changed is Vincent’s grim expression; the city of Ironwood is nothing to smile at, especially when its very survival depends on the course of your actions.
That’s it for now. If you haven’t noticed, I’ve been feeling pretty down lately (maybe it’s reflected in my writing?). My emotional state probably won’t change, but yours certainly can if you visit the Dustlander Productions Facebook page! I’m still working on backing up each and every post (just like with DeviantArt), but there’s enough content there to keep anyone entertained. Plus, I’m about to post a ton of Ironwood stuff! Feel free to like the page and share it with friends–I’m trying to get some publicity here!